Welcome to this my blog - a record of my life with books and pictures



Tuesday, August 23, 2011

The Hare with Amber Eyes: a world where only the smallest survive



It would be nice to think that when I finally get around to chasing down my family history, that it will be pan-global rags to riches to rags tale of glamorous balls, old master acquisition and commercial trailblazing, but I kind of doubt it. I also doubt that there is any single object that has traversed the narratives of any more than 3 generations of my family. Edmund de Waal does not have these problems, and that is why his book, The Hare with Amber Eyes is so wondorous.



The eponymous hare is a tiny smooth toggly object which you can hold in your hand and slip in to your pocket. It is one of 264 Japanese “netsuke” which were carved in wood and ivory in the 18th Century and found their way into the ownership of the Ephrussi family in 19th Century Paris. The Ephrussi were a Jewish banking family whose ascendency had begun with trading grain in their native Odessa, then part of Russia. They became rich, very rich. They spread out to Vienna and Paris and London. They founded a bank. They were a Jewish family and their sons and daughters married the children of other wealthy Jewish families. They numbered workers and shirkers and scholars and lovers among them.


The netsuke collection was stroked by Renoir and Proust in Paris. From them and there it progressed to Vienna when it was stored in the dressing room of a wealthy banker’s wife, held only by her and her children and servants. When the Nazis stormed into requisition everything in sight, the size of the netsuke, which is what makes them so curious, became the reason for their survival. Being tiny was their defence against plunder. They were squashed into a mattress upon which a lady slept and they were carried to Tunbridge Wells in a small attaché case. Not to be bound to one continent, they were displayed for many years in an idyllic house in Tokyo.

Is this a history through objects or a study of objects through history?


I was being my hasty self when I suggested that this story was wholly extraordinary. Of course, it is quite extraordinary, but it is also like many others. How many people find themselves on the wrong side of history? How many people can predict the events of their own epoch? Can know when the bastards are coming for them, and get away in time? Not many, that’s how many. The feet of history march hard and march fast. Most of the Ephrussi fortune was lost when they found themselves on the wrong side at the end of the First World War. The holocaust did for the rest. The netsuke are the legacy of the Ephrussi’s moment in the sun. They represent and illustrate loss and survival.


Now, there is a netsuke shaped hole in my life. Maybe a toggle will have to do….


For those who are interested, a gallery of the netuke can be seen here.

8 comments:

  1. What a good question: Is this a history through objects or a study of objects through history? I would have immediately answered a history through the family's connection to art objects, be they paintings, netsukes or domestic architecture. The author tracked through the family history via official records, family letters, diaries, wills and other written documents.

    Thanks for the link
    Hels
    http://melbourneblogger.blogspot.com/2011/03/surprising-art-inheritance-odessa-paris.html

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  2. A fantastic story and an interesting concept. this intrigues me and I shall look for it. A really good post ... as always, Hannah.
    I shall be back commenting at the end of the month.
    ¡Hasta luego!

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  3. Oh my gosh, how very, very interesting. I'm fascinated by your post, and must find the book. Thank you so much.

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  4. Me again. Just ordered it from amazon. Thanks again.

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  5. I know that some of the rare netsuke are extremely valuable. A fascinating story!

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  6. This book sounds amazing! I've seen it around before, but didn't make a dedicated attempt to pick it up. Now I definitely will. :)

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  7. I am on my third reading of this book on my Kindle. The author worked hard to track information about his Jewish ancestors who prospered in the 'belle epoch' and then fled or were killed as a result of The Anchluss. They landed in all parts of the world, as part of the Jewish diaspora. The netsuke survived because Emmy's maid who was there when De Waal's grandmother was a child, was allowed to stay in the Ephrussi Palais on the Ringstrasse as a sort of caretaker. The vitrine was in a remote room and she hid the tiny carvings in her mattress. When family came back to see how things were, they were returned and passed on to Iggie and then to De Waal. Otherwise all other items of any value were noted and removed by the Germans. A sad ending to a good family who did no one any harm.

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